Showing posts with label textile art. Show all posts
Showing posts with label textile art. Show all posts

Wednesday, June 12, 2019

Thread: Contemporary Textiles Exhibition, Rheged

My friend, Margaret, and I had a most enjoyable day at Rheged, near Penrith today. We went to see the 'Thread' Exhibition, which is on until the end of June 2019.

The gallery is at the top of the building, reached by a hair-raising, glass-sided walkway. Here are a small number of the artworks that we saw today. Please bear in mind that some are behind glass, and all are displayed in dim lighting. Click on any picture to see a larger version.


Rhiannon Williams, Tyger Tyger (embroidery, beading and appliqué on mixed material) NFS


This artist used highly textured embroidery and embellishment. The embroidery is carried out using an Irish sewing machine (see here for a video of one in action), which enables her to create large artworks. Her work is concentrated on figurative pieces with a contemporary feel.


 Megan Ivy Griffiths, Come Fly (cotton, embroidery silks, cotton threads) £200

Charming, small human and animal figures, presented in hand painted box frames. These were so adorable, and featured many decorative embroidery stitches in a tiny space. They had a Native American or South American style to them. Some had pressed flowers in the frame with them.

Vera Shimunia, Promise of Success (needle painting) NFS

This artist also works on a small scale, with amazing detail. There was a row of these small hoop frames, filled with miniature art. Each had a feeling of movement to rival the Impressionists', but with even more texture: some had puffy clouds that extended a centimetre or more from the canvas. The colour palette, stitch direction and feeling of perspective in the pieces was admirable.


Pat Taylor, Fotofit (tapestry, cotton warp, worsted weft) NFS

A beautiful, large tapestry with interesting colours used on the face, giving it the look of an old film still. This would look great on my living room wall!


 Helen O'Shea, Elaboration in Red (reused plastic shopping bags and threads) £850

This artist had three sculptural objects on display, using discarded plastic bags transformed into something delightful and precious, with layers of colourful stitch. Other pieces on her website show what looks like salvaged plastic from the sea, made into interesting shapes that echo marine creatures.

Her work reminded me of Josh Blackwell's (an artist I had researched for the textiles course I took a few years back).

 Abigail Booth, Iron Sign (oxidised iron, wood tannins, thread on cotton calico) £3,250

One half of the duo that make up Forest + Found, this artist uses simple colour palettes of hand dyed fabrics, with hand stitch. This piece, to me, looked like part of a wooden fence or signpost. I like the graphic quality and calm simplicity of the artwork.



Philip Sanderson, Wind Blown Tree, (rag rug) NFS

This was one of my favourite pieces because of the subject matter and method of construction. I also liked the irregular shape of the artwork, which enhanced the wind-blown nature of the tree, and evoked memories of blustery days by the coast.


 Laura Lees, Embroidered Jeans (denim, embroidery) NFS

Joyful, wearable art that is a riot of colour and cartoon-like images. The artist also makes embroidered furniture, such as piano stools and chairs.


And my final selection from a large and varied display, is a typically humorous piece from the late, lamented Louise Bourgeois

Louise Bourgeois, I Have Been To Hell And Back Handkerchief (embroidery on 100% cotton handkerchief, with silkscreen, courtesy of Donna Stokes) NFS

Another artist that I studied on my textiles course, and what an inspirational person, who lived her life through her art and made so many iconic artworks.

Rheged has cafés, and lovely shops to browse, too. I bought some fat quarters of fabric in the exhibition shop to incorporate into my ongoing and planned projects, but there are also art supplies on offer; clothing; toiletries and cosmetics; cards; children's toys and books; and everything 'woolly' - cushions, bags, wool fabrics by the square or by the meter, yarn, ornaments, brooches and more. The exhibition is on until 30 June 2019, and is well worth a visit for those who enjoy contemporary textile art.

Monday, October 08, 2018

Latest Work and Mark-making Experiments in Batik

My latest batch of Prayer Flag Brooches are finished and listed in my Folksy and Etsy Shops.

These ones have a light and fragile look with shades of cream, beige and old gold, lace and buttons.


My next project is going to be a tall thin textile wall hanging based on the path at Samye Ling Buddhist Centre.

The path really caught my eye on a visit there, with its recycled paving slabs of different sizes, and occasional bricks or yellow stripes. I took the photographs below and made a couple of drawings to simplify it into a wall hanging.




My plan is that many of the steps on the wall hanging will be an art or craft that I have tried over the years as my own 'Path to Enlightenment' of learning about art.

I have tried to make some of my own fabrics with painted dyes, or batik technique and dye.

Painted dye on cotton fabric


Batik with painted dye on cotton

I added these two patterns to my libraries of patterns on Society6 and Redbubble. They look pretty good on the rugs, mugs, bags etc!

I'm on my third 'step', so a long way to go on this project!

Monday, March 05, 2018

Latest Projects ...

Following on from the abstract landscape I made with a prodded rag rug technique, I also made a hooked and needle punched version. This piece is made from repurposed textiles and mixed fibre yarn.




I sewed the piece to mount board, 'ready for framing'.  It is currently listed for sale in my Folksy shop.

Another small piece, inspired by colour palettes that I have collected on my travels... This piece was based on the colours found on an old, rusting, painted metal fence with bright green algae on it.

A painted, gouache version of the palette, set against an orange background (A3 size).

Version #1: fairly two-dimensional, matt felts with thick wool fabric (from a repurposed coat); made using the techniques of reverse appliqué and embroidery. Available in my Folksy shop.

Version #2: more three-dimensional appliqué, some with added embroidery. This piece is a bit more 'shiny' and features a variety of repurposed textiles. 



This piece is available from my Etsy shop.

Next, a piece based on some beach colours...

Monday, February 19, 2018

Work in Progress - Abstract Landscape

I visited Mungrisdale in the Lake District on a bright December day and took photographs and made subsequent drawings. I loved the colour palette and contrasting textures of the hillside covered in shale, bracken, grass and other plants, set against a bluebell blue sky.

I made a few drawings in different media, trying different colour variations and simplifying the composition into blocks of colour.

I cut 3/4" x 2" tabs from re-purposed clothing and prodded them through a background fabric of hessian.

As usual my finished piece is much brighter than the original, relying on the colours I can source, and on the colours I choose to use together.

Now to find a deep box frame to take the deep pile of the work...

Sunday, February 14, 2016

Patchwork and a Textile Postcard

I made a couple of pin cushions / small cushions using English paper piecing - a relaxing and portable way to sew small items - more challenging for quilts (the one I made took about 10 years to finally finish! Collage photo below).





The first one is a pin cushion size, or suitable as a little cushion for a doll or teddy to sit on.

Hand sewn hexagonal pin cushion, listed on Folksy


Hand sewn hexagonal large pin cushion / small cushion, listed on Etsy


If you want to have a go yourself, there are lots of videos on You Tube, such as this one.

Another couple of pieces that I have listed this week:-

"In Another Galaxy" textile postcard, listed on Etsy

Punch needle embroidery pendant, listed on Folksy

Friday, January 22, 2016

Mixed Media Miniature Art Works

Here are some of my latest pieces. They are made from a punch needle centre, set in a painted, papier mȃché frame. 
The punch needle embroidery is worked by punching each loop through the backing fabric using a hand tool to form a textured surface: just like making a miniature rug!

This is the frame and tool I use for working with. The picture above shows the front of the work, with the tool and embroidery threads.


This close-up shows the reverse, 'working side' of the fabric that you punch from. There is a very clear description of the technique on Wikihow called "How To Needle Punch".

Punch Needle and Papier Mache Hanging Decoration - Yellow and Grey Abstract 




More items will be listed in my Folksy and Etsy shops as they become available.

Wednesday, July 22, 2015

Nine Eggs - Making A Textile Art Wall Hanging

This piece has just been listed in my Folksy shop.

It was inspired by the lovely fresh eggs that my own chickens lay. We have kept chickens for over 10 years. We have two hens at present, (Connie and Lily, below), and a cockerel called Monty. A friend once commented that he spoke to his hard boiled egg every lunch time, because "each one is an individual". That thought stuck with me, and here is the result.




The first task was to tea-dye the lovely antique, woven fabric that I wanted to use for the background to each 'egg'. I then chose the fabrics that I wanted to use for the eggs. I chose a subtle palette, which is rather different to my usual bright colour schemes.

Each egg was hand cut to be slightly different in size and shape from the others. The 'eggs' were hand appliquéd to the background rectangles, then the individual rectangles were machine sewn together.


The front was ironed, then sandwiched with cotton wadding and a backing fabric, pinned all over, then hand quilted in cream and black threads.


Next comes trimming to size, and the binding - a fabric which I overdyed - it has a subtle brownish black colour. This is half attached by machine, and half by hand stitching.

The hanging sleeve is also attached at this time, and then the 'Fire Horse Textiles' label is added to the reverse.

Finally, a hanging dowel is sawn to length and sanded on the ends to prevent splinters.


Rather a windy day when I was taking the photos!

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